About
Powerhouse is a not-for-profit organization committed to creative expression. Housed in a purpose-built facility in Brooklyn, the organization hosts an extended network of art and fabrication professionals and educators who work together to co-create and share artistic practices vital to the wellbeing of artists and the communities to which they belong.
Our facility houses fabrication capabilities in the materials of ceramic and print, and offers project management and fabrication services for public art.
Project intake and fabrication services have resumed in full. We encourage to submit your project inquiries via the button below. A Powerhouse fabricator will be in touch to discuss shortly. Submit Project Inquiries here.
Featured Project
In March of 2021, Sophia Wallace commissioned Powerhouse Arts to create Swan Series, described by the artist as “an open edition of cast sculptures in stoneware and terracotta which takes inspiration from the natural world, specifically swans in motion, budding orchids and emerging succulents. It is the latest of Wallace’s ongoing project to invent an iconography of the clitoridian” and can best be described as a work of contemporary feminist art.
Swan Series in black opal by Sophia Wallace. Image courtesy of the artist.
Featured Project
In March of 2021, Sophia Wallace commissioned Powerhouse Arts to create Swan Series, described by the artist as “an open edition of cast sculptures in stoneware and terracotta which takes inspiration from the natural world, specifically swans in motion, budding orchids and emerging succulents. It is the latest of Wallace’s ongoing project to invent an iconography of the clitoridian” and can best be described as a work of contemporary feminist art.
Featured Project
ACA Galleries commissioned Powerhouse Arts to produce an edition of 113 prints of Faith Ringgold’s 1966 painting entitled Woman Looking in a Mirror. The prints were included in the exhibition “Prints and Multiples” on view from March 16 to June 17, 2022.
Faith Ringgold’s Woman Looking in a Mirror at ACA Galleries. Courtesy of the artist and ACA Galleries.
Featured Project
ACA Galleries commissioned Powerhouse Arts to produce an edition of 113 prints of Faith Ringgold’s 1966 painting entitled Woman Looking in a Mirror. The prints were included in the exhibition “Prints and Multiples” on view from March 16 to June 17, 2022.
Featured Project
As part of an expansive exhibition of his work, titled Particular Matter(s), The Shed commissioned Tomás Saraceno to construct a new artwork, which would take full advantage of their soaring multipurpose space, The McCourt. Free the Air: How to hear the universe in a spider/web, was a 95-foot pressurized sphere, inside which visitors lay on a taught web-like net floating 40-feet above the ground, in order to experience vibrations derived from the movement of particles in the air, similar to the way spiders relay information through vibratory mechanisms.
Tomás Saraceno, Free the Air: How to hear the universe in a spider/web, 2022. Custom steel, wire net, wood, light, LFE, shakers, fog. Diameter: 95 feet. Artwork © Studio Tomás Saraceno. Commissioned by The Shed. Photo: Nicholas Knight. Courtesy The Shed.
Featured Project
As part of an expansive exhibition of his work, titled Particular Matter(s), The Shed commissioned Tomás Saraceno to construct a new artwork, which would take full advantage of their soaring multipurpose space, The McCourt. Free the Air: How to hear the universe in a spider/web, was a 95-foot pressurized sphere, inside which visitors lay on a taught web-like net floating 40-feet above the ground, in order to experience vibrations derived from the movement of particles in the air, similar to the way spiders relay information through vibratory mechanisms.
Featured Project
In Spring of 2021, Powerhouse Arts collaborated with artist Jenny Polak to fabricate a series entitled Wall Tiles, consisting of four different slip-cast ceramic bas-relief panels. The imagery within these works forms a frieze depicting prison walls looming large amidst banal golf course imagery, both of which are rendered rather unexpectedly in glazed ceramic tiles at a domestic scale. The tiles highlight the dangerous normalization of incarceration and border violence.
Wall Tiles glazed in Robin’s Egg Blue Celadon by Jenny Polak. Images by Dread Scott
Featured Project
In Spring of 2021, Powerhouse Arts collaborated with artist Jenny Polak to fabricate a series entitled Wall Tiles, consisting of four different slip-cast ceramic bas-relief panels. The imagery within these works forms a frieze depicting prison walls looming large amidst banal golf course imagery, both of which are rendered rather unexpectedly in glazed ceramic tiles at a domestic scale. The tiles highlight the dangerous normalization of incarceration and border violence.
Featured Project
In January of 2022, Nicelle Beauchene Gallery commissioned Powerhouse to screen print portraits for a self-titled solo exhibition by artist Elliott Jerome Brown Jr.
Installation view, Elliott Jerome Brown Jr., 2022. Photo courtesy Nicelle Beauchene Gallery.
Featured Project
In January of 2022, Nicelle Beauchene Gallery commissioned Powerhouse to screen print portraits for a self-titled solo exhibition by artist Elliott Jerome Brown Jr.
Featured Project
Times Square Arts commissioned Powerhouse Arts to project manage, fabricate, install, and deinstall Pamela Council’s A Fountain For Survivors exhibited as a public art activation in Times Square. A Fountain for Survivors is an exuberant life-affirming monument for survivors of all kinds. The work is Council’s first public artwork and their largest work to date.
A Fountain For Survivors by Pamela Council in Times Square. Image by Michael Hull.
Featured Project
Times Square Arts commissioned Powerhouse Arts to project manage, fabricate, install, and deinstall Pamela Council’s A Fountain For Survivors exhibited as a public art activation in Times Square. A Fountain for Survivors is an exuberant life-affirming monument for survivors of all kinds. The work is Council’s first public artwork and their largest work to date.
Featured Project
Artists La Vaughn Belle and Jeannette Ehlers were commissioned by the Ford Foundation Gallery to create I Am Queen Mary for the exhibition, Radical Love, which ran from June to August, 2019.
I Am Queen Mary installed at the exhibition “Radical Love” at the Ford Foundation Gallery. Photo by Sebastian Bach and courtesy of Ford Foundation Gallery
Featured Project
Artists La Vaughn Belle and Jeannette Ehlers were commissioned by the Ford Foundation Gallery to create I Am Queen Mary for the exhibition, Radical Love, which ran from June to August, 2019.
Featured Project
Okwui Okpokwasili worked with Powerhouse to adorn a series of headpieces for the performance On the way, undone, performed in May 2021 on the Highline, inspired by Simone Leigh’s Brick House. On the way, undone reimagines black hair as an antenna or a receiver of signals from the past and the future. The performance is both an homage and a pilgrimage: performers trace a path through the park to Leigh’s magnificent sculpture at 30th Street.
Okwui Okpokwasili On the way, undone at the High Line. Images by Liz Ligon.
Featured Project
Okwui Okpokwasili worked with Powerhouse to adorn a series of headpieces for the performance On the way, undone, performed in May 2021 on the Highline, inspired by Simone Leigh’s Brick House. On the way, undone reimagines black hair as an antenna or a receiver of signals from the past and the future. The performance is both an homage and a pilgrimage: performers trace a path through the park to Leigh’s magnificent sculpture at 30th Street.
Featured Project
In March 2021, artists Aziz + Cucher approached Powerhouse Arts to produce a series of unique prints entitled You’re Welcome and I’m Sorry. The artist duo was initially introduced to Powerhouse through Virtual Consultations where they consulted with Print Director Luther Davis regarding methodologies for translating photography of performance into large-scale prints.
The Hard Sell silkscreen painting by Aziz + Cucher
Featured Project
In March 2021, artists Aziz + Cucher approached Powerhouse Arts to produce a series of unique prints entitled You’re Welcome and I’m Sorry. The artist duo was initially introduced to Powerhouse through Virtual Consultations where they consulted with Print Director Luther Davis regarding methodologies for translating photography of performance into large-scale prints.
Featured Project
Artist Caroline Garcia approached Powerhouse Arts to fabricate the main structural component of The Headless Headhunt, a multimedia installation built to resemble a boxing ring that was commissioned as part of The Shed’s Open Call, on view from June 4 through August 1, 2021.
The Headless Headhunt with augmented reality (AR) text by Caroline Garcia at The Shed’s Open Call. Photography courtesy of the artist and The Shed
Featured Project
Artist Caroline Garcia approached Powerhouse Arts to fabricate the main structural component of The Headless Headhunt, a multimedia installation built to resemble a boxing ring that was commissioned as part of The Shed’s Open Call, on view from June 4 through August 1, 2021.
Featured Project
New York’s Swivel Gallery approached Powerhouse Arts in 2020 to collaborate on producing a print edition for their inaugural exhibition, an immersive, site specific installation entitled PANACEA by Corey Wash that was on view from January 23 to February 28, 2021.
Installation view of PANACEA by Corey Wash at Swivel Gallery.
Featured Project
New York’s Swivel Gallery approached Powerhouse Arts in 2020 to collaborate on producing a print edition for their inaugural exhibition, an immersive, site specific installation entitled PANACEA by Corey Wash that was on view from January 23 to February 28, 2021.
Featured Project
Sydney Shen collaborated with Powerhouse Arts’s Wood, Metal, and Digital Fabrication team to fabricate a series of large sculptures for her newly commissioned solo exhibition Strange But True at the Queens Museum.
Installation view(s), Sydney Shen: Strange But True, Queens Museum (April 28 - August 22, 2021). Courtesy of Queens Museum: photo credit Hai Zhang.
Featured Project
Sydney Shen collaborated with Powerhouse Arts’s Wood, Metal, and Digital Fabrication team to fabricate a series of large sculptures for her newly commissioned solo exhibition Strange But True at the Queens Museum.
Featured Project
Desiiiire/Diiiistortiiiion and Body/Meat are a series of prints by Rodrigo Moreira produced in 2021 in collaboration with Powerhouse Arts. For this project, Moreira worked with Powerhouse to print photo-collages from two existing bodies of work titled Desiiiire/Diiiistortiiiion and Body/Meat, which amounted to an edition of 15 prints measuring 20 x 16 inches on Coventry Rag paper in CMYK with a gray wash.
Detail digital image of Desiiiire/Diiiistortiiiion for final screen files by Rodrigo Moreira.
Featured Project
Desiiiire/Diiiistortiiiion and Body/Meat are a series of prints by Rodrigo Moreira produced in 2021 in collaboration with Powerhouse Arts. For this project, Moreira worked with Powerhouse to print photo-collages from two existing bodies of work titled Desiiiire/Diiiistortiiiion and Body/Meat, which amounted to an edition of 15 prints measuring 20 x 16 inches on Coventry Rag paper in CMYK with a gray wash.
Featured Project
Artist Liz Collins worked with Powerhouse Arts to create the sculpture Map Key for the exhibition “Wayfinding” at The Addison Gallery of American Art in Andover, Massachusetts. The sculpture is based on a map key that Collins referenced within the Phillips Academy’s Sidney R. Knafel Map Collection, which included European maps, atlases, and documents from 1434 through the 19th century. Map Key is made of wood and papier-mâché, acrylic fabric, wool, silk, screen printed antique linen tablecloth.
Map Key in the exhibition Wayfinding at The Addison Gallery of American Art. Image courtesy of the artist.
Featured Project
Artist Liz Collins worked with Powerhouse Arts to create the sculpture Map Key for the exhibition “Wayfinding” at The Addison Gallery of American Art in Andover, Massachusetts. The sculpture is based on a map key that Collins referenced within the Phillips Academy’s Sidney R. Knafel Map Collection, which included European maps, atlases, and documents from 1434 through the 19th century. Map Key is made of wood and papier-mâché, acrylic fabric, wool, silk, screen printed antique linen tablecloth.
Featured Project
Artist Michael Joo approached Powerhouse Arts for fabrication of QR codes that involved milling carbon, wood, and iron for his exhibition On the Passage… at CLEA_RSKY, in collaboration with the Smithsonian Institute. The QR code is a functional sculpture: when scanned, it leads to an archive of images, artifacts, and information that add layers of contemplation to the installation.
On the Passage… installation at CLEA _RSKY. Image by Ben Cohen.
Featured Project
Artist Michael Joo approached Powerhouse Arts for fabrication of QR codes that involved milling carbon, wood, and iron for his exhibition On the Passage… at CLEA_RSKY, in collaboration with the Smithsonian Institute. The QR code is a functional sculpture: when scanned, it leads to an archive of images, artifacts, and information that add layers of contemplation to the installation.
Featured Project
During a residency in The Kitchen’s building at 512 West 19th Street, Autumn Knight created a new project to be viewed by online audiences. This project merged the artist’s practice of improvisation with new text, choreography, and sculpture that responds to the architecture of the space.
Installation at The Kitchen. Images courtesy of the artist. Photos copyright Paula Court
Featured Project
During a residency in The Kitchen’s building at 512 West 19th Street, Autumn Knight created a new project to be viewed by online audiences. This project merged the artist’s practice of improvisation with new text, choreography, and sculpture that responds to the architecture of the space.
Featured Project
In 2020, K8 Hardy reached out to Powerhouse Arts to collaborate on the fabrication of March, a large-scale, 10 x 6 foot upholstered maxi pad with colorful stains. March is composed of silver infused dimpled bamboo fabric — currently being marketed as a face mask filtration layer.
K8 Hardy, March, 2020, Mixed media. Photography by Joerg Lohse. Courtesy of the artist and Reena Spaulings Fine Art, New York / Los Angeles.
Featured Project
In 2020, K8 Hardy reached out to Powerhouse Arts to collaborate on the fabrication of March, a large-scale, 10 x 6 foot upholstered maxi pad with colorful stains. March is composed of silver infused dimpled bamboo fabric — currently being marketed as a face mask filtration layer.
Featured Project
Artist Bruce M. Sherman commissioned Powerhouse Arts to fabricate a series of ceramic sculptures for a new body of work entitled Infinite Columns. The works reference Brancusi’s Infinite Columns and assert a connection between the earth and the celestial realm in their prominent verticality.
Bruce Sherman, Earth/Heaven Heaven/Earth, 2020. Installation view. Nicelle Beauchene Gallery, NY. Courtesy of the artist.
Featured Project
Artist Bruce M. Sherman commissioned Powerhouse Arts to fabricate a series of ceramic sculptures for a new body of work entitled Infinite Columns. The works reference Brancusi’s Infinite Columns and assert a connection between the earth and the celestial realm in their prominent verticality.
Featured Project
Powerhouse Arts’ Project Management team was hired to install Kenseth Armstead’s Boulevard of African Monarchs, at the corner of 116th Street and St. Nicholas Avenue, in the heart of Harlem described by the artist as “a hub of African excellence in America.”
Detail: Boulevard of African Monarchs, 10’x10’x15’, Aluminum Plate & Shoe Polish, Harlem, NY, 2020. Photo by Liz Ligon
Featured Project
Powerhouse Arts’ Project Management team was hired to install Kenseth Armstead’s Boulevard of African Monarchs, at the corner of 116th Street and St. Nicholas Avenue, in the heart of Harlem described by the artist as “a hub of African excellence in America.”
Featured Project
Artist Leah Raintree approached Powerhouse Arts in 2020 to formulate a glaze and fire works for Clearing, a series of ceramic drawings using found materials from Raintree’s childhood home on a small farm in rural Virginia.
Before Clearing, 2.2, 2020 4 ½ x 9”, iris ash, wood ash glaze, Virginia clay soil on porcelain
Featured Project
Artist Leah Raintree approached Powerhouse Arts in 2020 to formulate a glaze and fire works for Clearing, a series of ceramic drawings using found materials from Raintree’s childhood home on a small farm in rural Virginia.
Featured Project
Artists La Vaughn Belle and Jeannette Ehlers were commissioned by the Ford Foundation Gallery to create I Am Queen Mary for the exhibition, Radical Love, which ran from June to August, 2019.
I Am Queen Mary installed at the exhibition “Radical Love” at the Ford Foundation Gallery. Photo by Sebastian Bach and courtesy of Ford Foundation Gallery
Featured Project
Artists La Vaughn Belle and Jeannette Ehlers were commissioned by the Ford Foundation Gallery to create I Am Queen Mary for the exhibition, Radical Love, which ran from June to August, 2019.
Featured Project
In 2019 artist Alex Dodge collaborated with the Powerhouse Arts Printshop on his print edition The Only Stars Are In Your Eyes. The print is a seven-color screenprint on Bristol that utilizes an ultraviolet light-cured ink. The UV-cured ink is printed in such a way that it creates a raised surface, such as you might encounter with braille.
Detail View: The Only Stars Are In Your Eyes, March 2019. Courtesy the artist and Klaus von Nichtssagend Gallery
Featured Project
In 2019 artist Alex Dodge collaborated with the Powerhouse Arts Printshop on his print edition The Only Stars Are In Your Eyes. The print is a seven-color screenprint on Bristol that utilizes an ultraviolet light-cured ink. The UV-cured ink is printed in such a way that it creates a raised surface, such as you might encounter with braille.
Featured Project
The Powerhouse Arts Project Management team assembled and installed the first model of Agnes Denes’ Probability Pyramid—Study for Crystal Pyramid from 1976. The sculpture was commissioned by The Shed for the artist’s retrospective exhibition Agnes Denes: Absolutes and Intermediates curated by Emma Enderby, which was on view from October 2019 through March 2020.
Installation view: Agnes Denes: Absolutes and Intermediates, The Shed, New York, October 9, 2019 – March 22, 2020. Photo by Dan Bradica, courtesy of The Shed
Featured Project
The Powerhouse Arts Project Management team assembled and installed the first model of Agnes Denes’ Probability Pyramid—Study for Crystal Pyramid from 1976. The sculpture was commissioned by The Shed for the artist’s retrospective exhibition Agnes Denes: Absolutes and Intermediates curated by Emma Enderby, which was on view from October 2019 through March 2020.
Featured Project
Bryony Roberts Studio commissioned Powerhouse Arts to fabricate Soft Civic, a site-specific work that aims to enhance the public gathering space in Columbus, Indiana.
Aerial view of Soft Civic installed at City Hall in Columbus, Indiana. © Bryony Roberts. Photography by Hadley Fruits
Featured Project
Bryony Roberts Studio commissioned Powerhouse Arts to fabricate Soft Civic, a site-specific work that aims to enhance the public gathering space in Columbus, Indiana.
Featured Project
Sarah Crowner was commissioned by the Contemporary Arts Center New Orleans to create a series of six individual tapestry panels for the exhibition, Hinge Pictures: Eight Women Artists Occupy the Third Dimension, which aimed to challenge patriarchal narratives of European modernism.
Sarah Crowner, Sapphire Tapestry, (Parts 1-3), 2019. Exhibition view: “Hinge Pictures: Eight Women Artists Occupy the Third Dimension,” 2019, Contemporary Arts Center, New Orleans. Image courtesy the artist and Casey Kaplan, New York. Photo: Alex Marks.
Featured Project
Sarah Crowner was commissioned by the Contemporary Arts Center New Orleans to create a series of six individual tapestry panels for the exhibition, Hinge Pictures: Eight Women Artists Occupy the Third Dimension, which aimed to challenge patriarchal narratives of European modernism.
Upcoming
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Shop Talk
Ongoing Event
Join Powerhouse Arts expert staff and fabricators for a one-on-one shop talks. In these 30-minute sessions, our team is available to advise on projects you’re currently working on, to troubleshoot technical challenges, to explore innovative applications of materials, and to offer thought-partnership in your creative endeavors.
Learn More
Conversation
Shop Talk
Date & Time
Ongoing
Event
Event
Join Powerhouse Arts expert staff and fabricators for a one-on-one shop talks. In these 30-minute sessions, our team is available to advise on projects you’re currently working on, to troubleshoot technical challenges, to explore innovative applications of materials, and to offer thought-partnership in your creative endeavors.